The Weeknd adds three extra Wembley Stadium dates to 2026 tour

MAY
01 – São Paulo, Brazil – Estádio MorumBIS

JULY
10 – Paris, France – Stade de France
17 – Amsterdam, Netherlands – Johan Cruijff ArenA
21 – Nice, France – Allianz Riviera
24 – Milan, Italy – San Siro Stadium
30 – Frankfurt, Germany – Deutsche Bank Park

AUGUST
04 – Warsaw, Poland – PGE Narodowy
08 – Stockholm, Sweden – Strawberry Arena
14 – London, UK – Wembley Stadium
15 – London, UK – Wembley Stadium
16 – London, UK – Wembley Stadium (NEW DATE)
18 – London, UK – Wembley Stadium (NEW DATE)
19 – London, UK – Wembley Stadium (NEW DATE)
22 – Dublin, Ireland – Croke Park
28 – Madrid, Spain – Riyadh Air Metropolitano
29 – Madrid, Spain – Riyadh Air Metropolitano

Additionally, a portion of every ticket sold for the 2026 tour will go towards providing underprivileged children with funds for education, as well as food for the global hunger crisis via his partnership with Global Citizen.

€1 from each ticket sold across Europe, £1 in the UK and the $1 equivalent in Mexico and Brazil will be donated to the FIFA Global Citizen Education Fund and the United Nations World Food Programme (WFP) to provide funds to the XO Humanitarian Fund.

Earlier this year, Tesfaye said he wanted to retire his Weeknd moniker after overcoming “every challenge as this persona, it’s a headspace I’ve gotta get into that I just don’t have any more desire for,” he told Variety. “I feel like it comes with so much. You have a persona, but then you have the competition of it all. It becomes this rat race: more accolades, more success, more shows, more albums, more awards and more Number Ones. It never ends until you end it.”

While the singer hasn’t yet put an end to the ‘Weeknd’ moniker, he’s long been vocal about wanting to “kill” the Weeknd moniker for several years. He’s even gone so far as to say that his latest album ‘Hurry Up Tomorrow’ and its accompanying film of the same name will be his last as The Weeknd.

‘Hurry Up Tomorrow’ was given a four-star review from NME and described as “a fitting – and intriguing – swansong”.

“Though ‘Hurry Up Tomorrow’ has plenty of his usual moody synth-pop, it’s also speckled with experimentation: he pulls off throbbing Brazilian funk on ‘São Paulo’ and flirts with Kanye-style chipmunk soul on ‘Niagara Falls’,” it read. “If this is a swansong for The Weeknd, it’s a fitting one. Tesfaye is pushing forward before he exhausts the collective fascination with his alter ego, and that’s no small achievement.”